PL202400014 - Record of Decision
PL202400014 - Record of Decision
Ward 1 Construction Projects
View the construction projects happening in Ward 1 this season.
Assessment Appeal Form
If you feel there is an error in your tax assessment, you can submit the Assessment Appeal Form to the Board of Revision.
New Commercial, Industrial, Institutional, Mixed Use Buildings and Additions
th various transportation, water (potable, storm, and waste), environmental and geotechnical
technical standards. (Comments sent from technicalreview@regina.ca)
Stage 2: Building Standards Review Reviewed on all applications: Building Standards &
Inspections reviews for compliance with: National Building Code Building Bylaw UBAS Act/Regulations
Mechanical & Plumbing Standards. Comments sent from three separate reviewers: Building Safety
Structural and Accessibility Mechanical/Plumbing Review May Be Required: The Fire Department
reviews applications that include: High hazard occupancy (F1) Spray coating operations Under/above
ground fuel storage tank installation or removal Distilleries Tire storage Other as required to
ensure compliance with National Fire Code and NFPA standards. Information on building permit
requirements for fire alarm systems Stage 3: Saskatchewan Ministry of Health Review (if required)
Review May Be Required: The Saskatchewan Ministry of Health reviews applications that include:
Butcher shops and meat processors Bakeries Food distribution wholesale/retail Food processing –
home and commercial food manufacturers, flea market, farmer’s market, etc Schools, institutions,
daycares (not private home day cares) Hotels, motels, bed and breakfast Liquor outlets Personal
services; ear piercing, tattooing, acupuncture, nail salons and invasive permanent makeup
operations, Public swimming pools and spray parks Restaurants and take-out Recreation facilities
and community halls Care facilities group homes and approved homes Others to ensure compliance with
health regulations. (Comments sent from Saskatchewan Ministry of Health) The Saskatchewan Ministry
of Health can be reached directly at 306-766-7755. Stage 4: Application Approval Reviewed on all
applications: Customer is notified of application approval Fee is collected and permit signed
Building Permit is issued Work may commence with inspections to follow For more information, call
Service Regina at 306-777-7000. Permit Process Partial Permits Building Permit Requirements for
Fire Alarms Formatting standards Modular Buildings Commercial Phased Permits Integrated Systems
Testing (CAN/ULC-S1001) Door Hardware and Magnetic Lock Requirements Major Occupancy Definitions
Commercial Information Package Crawlspace and Attic Safety Requirements When a Professional
Designer is Required House to Commercial Duct Wrap Digital Submission Security Requirements Barrier
Free Design Guide
Indigenous Artist in Residence
he community. She then created a painting using the likeness of the participants. For more
information on the Indigenous Artist in Residence Program: Regina.ca/artist." *City of Regina outro sound* The Regina logo appears in the
middle of the screen. 2022 Indigenous Artist in Residence Audie Murray, a local Michif visual
artist based in Oskana kâ-asastêki (Regina, Saskatchewan; Treaty 4 territory), was selected as the
City’s first ever Indigenous Artist in Residence. During her residency, Audie explored the theme of
‘Urban Indigeneity’. Her artwork proposal involved a large-scale beaded wall hanging done through
the process of by hand bead weaving. Murray also supported local youth through a youth residency
where they learned beadwork and worked alongside local cultural leaders. Murray’s art practice is
informed by themes of contemporary culture, embodied experiences and lived dualities. These modes
of working assist with the recentering of our collective connection to the body, ancestral
knowledge systems, space and time. Murray holds a visual arts diploma from Camosun College, a
Bachelor of Fine Arts from the University of Regina, and a Master of Fine Arts from the University
of Calgary. She has exhibited widely, including at the Independent Art Fair, NYC; The Vancouver Art
Gallery; Centre for Contemporary Arts, Glasgow; and the Anchorage Museum. Murray is represented by
Fazakas Gallery, located on Sḵwx̱wú7mesh, Səl̓ílwətaʔ, and xʷməθkʷəy̓əm territory (Vancouver,
B.C.). Video Transcript Audio Visual *gentle music* Title appears on screen that reads 2022
Indigenous Artist in Residence. [Audie] “My passion and my drive really comes from this need to
communicate through the creation of material things”. Wide frame of tree tops and the sky. Close-up
of Audie walking on the sidewalk. Wide frame of Audie walking in an alley. Close up of Audie’s
hands working with a string and beads. “It really rounds me out as a person and makes me feel whole”
. Close up of the string and beads on a table. Close up of Audie looking down on her beadwork. “I'm
Audie Murray and I work primarily as a visual artist. I live on Treaty 4 territory in Regina,
Saskatchewan”. Wide frame of Audie sitting in a chair with her artwork. Audie Murray Indigenous
Artist in Residence appears on the bottom of the scre.en “By working with beadwork, in a way I feel
like I'm really connecting to ancestral ways of working, but I'm also really connecting to future
generations”. Close up of 3 bead jars appear on screen. Close up of hands beadworking on a table
.Audie in frame beadworking. Wide frame of hands beadworking on a table. Audie sitting in a chair
with her artwork. “So the youth and I have been meeting every second week for the last couple of
months”. Close up of Audie walking towards a building. Wide frame of Audie and students sit on the
floor in a room, working with beads. “We meet at the Mamaweyatitan Centre”. Close up to Audie and
students sitting on the floor in a room, working with beads. “The mentorship aspect of this youth
residency is that I am showing them how to do the same stitch that I'm working on for my piece with
the city residency, and they're making their own artworks that will then be exhibited”. Close up of
student’s hand beadworking. Close up of Audie and student in frame beadworking. Close up of hands
working with beads. Close up of a beadwork guide. Close up of hands working with beads. Wide frame
of a beadwork guide. “I've always lived very urban and because I'm metis I don't have a reservation
community to visit”. Wide frame of Audie sitting in a chair with her artwork. Wide frame of Audie
walking in an alley. Close up of Audie walking on the sidewalk. “Our city is still very much
traditional territories and indigenous land, and so I think the concept of urban indigeneity is so
fruitful to talk about and that's something I've definitely worked through with previous art pieces”
. Wide frame of Audie sitting in a chair with her artwork. Wide frame of a neighbourhood. Wide
frame of the neighbourhood street. Close up of a student beadworking with Audie and other students
out of frame in the background. Close up of a beads on a string on top of a beadwork guide. “This
piece I'm working on right now is beaded wall hanging that is made with size 10 seed beads”. Wide
frame of Audie at her desk with her beads. Close up of Audie’s hand beadworking. “How I got the
image that I'm working from is I took a picture of the sky in the city from my backyard in Regina
at the exact same time as my auntie took a picture of the sky in Lebret, which is a smaller
community that is outside of, like, city limits”. Wide frame of Audie sitting in a chair with her
artwork. Wide frame of neighbourhood. Wide frame of tree tops and the sky. “This merging of two
skies into one image really highlights the fact that the sky is not different within those two
spaces, and I think that really speaks to the layers of urban indigeneity in a very subtle way”.
Close up of Audie sitting in a chair with her artwork. Wide frame of Audie and her cat at her desk
with her beads. Close up of hands working with beads. Close up of rocks, a shell and beadwork
needles on a shelf. Close up of Audie’s beadwork. “You can see my work right now in Radical Stitch
which is a touring exhibition about beadwork, curated by Cathy Mattes, Michelle Lavallee, and
Sherry Farrell Racette”. Wide frame of hands working with beads on a table. Close up Audie sitting
on the floor. Wide frame of Audie sitting in a chair with her artwork. (gentle music) Close up to
Audie and students sitting on the floor in a room, working with beads. Text appears across the
screen with a link to Visit Regina.ca/artist For open Calls to
Artist. *City of Regina outro sound* The Regina logo appears in the middle of the screen. Public At
& Collections Investing in Arts & Culture Artist Calls
