City Hosts Annual Ladybug Release to Support Sustainable Pest Control
bug release this morning in Victoria Park. More than 200,000 ladybugs were shared with children,
families and residents to help support the health of trees and
plants across the city. “The City tries to promote ways to manage garden pests other than relying
on pesticides,” said Veronica Schroder, Coordinator, Forestry, Pest & Horticulture. ...
Inflow & Infiltration
ement flooding. How Homeowners can Reduce the Impact Redirect downspouts into a rain barrel or a
rain garden Be aware of aging pipes and of nearby trees that can
cause root damage to underground pipes. Ensure your weeping tiles and / or sump pumps are not
connected to the sanitary system.
2020 Budget Highlights
View the 2020 Budget Highlights.
Affordable Housing Contact List
View the list of organizations and developers who provide affordable housing.
Fire Escape Planning
r Plan Identify and write down two ways to get out of each room (e.g., door and window). Designate
a meeting place, such as a neighbour's yard or a tree down the
street. Once outside, call 9-1-1. Photograph your home/belongings for insurance purposes and store
a copy outside your home. ...
Wood Fibre Mulch
View the Standard Construction Specification for Wood Fibre Mulch.
Indigenous Artist in Residence
he community. She then created a painting using the likeness of the participants. For more
information on the Indigenous Artist in Residence Program: Regina.ca/artist." *City of Regina outro sound* The Regina logo appears in the
middle of the screen. 2022 Indigenous Artist in Residence Audie Murray, a local Michif visual
artist based in Oskana kâ-asastêki (Regina, Saskatchewan; Treaty 4 territory), was selected as the
City’s first ever Indigenous Artist in Residence. During her residency, Audie explored the theme of
‘Urban Indigeneity’. Her artwork proposal involved a large-scale beaded wall hanging done through
the process of by hand bead weaving. Murray also supported local youth through a youth residency
where they learned beadwork and worked alongside local cultural leaders. Murray’s art practice is
informed by themes of contemporary culture, embodied experiences and lived dualities. These modes
of working assist with the recentering of our collective connection to the body, ancestral
knowledge systems, space and time. Murray holds a visual arts diploma from Camosun College, a
Bachelor of Fine Arts from the University of Regina, and a Master of Fine Arts from the University
of Calgary. She has exhibited widely, including at the Independent Art Fair, NYC; The Vancouver Art
Gallery; Centre for Contemporary Arts, Glasgow; and the Anchorage Museum. Murray is represented by
Fazakas Gallery, located on Sḵwx̱wú7mesh, Səl̓ílwətaʔ, and xʷməθkʷəy̓əm territory (Vancouver,
B.C.). Video Transcript Audio Visual *gentle music* Title appears on screen that reads 2022
Indigenous Artist in Residence. [Audie] “My passion and my drive really comes from this need to
communicate through the creation of material things”. Wide frame of tree tops and the sky. Close-up of Audie walking on the sidewalk. Wide frame of
Audie walking in an alley. Close up of Audie’s hands working with a string and beads. “It really
rounds me out as a person and makes me feel whole”. Close up of the string and beads on a table.
Close up of Audie looking down on her beadwork. “I'm Audie Murray and I work primarily as a visual
artist. I live on Treaty 4 territory in Regina, Saskatchewan”. Wide frame of Audie sitting in a
chair with her artwork. Audie Murray Indigenous Artist in Residence appears on the bottom of the
scre.en “By working with beadwork, in a way I feel like I'm really connecting to ancestral ways of
working, but I'm also really connecting to future generations”. Close up of 3 bead jars appear on
screen. Close up of hands beadworking on a table .Audie in frame beadworking. Wide frame of hands
beadworking on a table. Audie sitting in a chair with her artwork. “So the youth and I have been
meeting every second week for the last couple of months”. Close up of Audie walking towards a
building. Wide frame of Audie and students sit on the floor in a room, working with beads. “We meet
at the Mamaweyatitan Centre”. Close up to Audie and students sitting on the floor in a room,
working with beads. “The mentorship aspect of this youth residency is that I am showing them how to
do the same stitch that I'm working on for my piece with the city residency, and they're making
their own artworks that will then be exhibited”. Close up of student’s hand beadworking. Close up
of Audie and student in frame beadworking. Close up of hands working with beads. Close up of a
beadwork guide. Close up of hands working with beads. Wide frame of a beadwork guide. “I've always
lived very urban and because I'm metis I don't have a reservation community to visit”. Wide frame
of Audie sitting in a chair with her artwork. Wide frame of Audie walking in an alley. Close up of
Audie walking on the sidewalk. “Our city is still very much traditional territories and indigenous
land, and so I think the concept of urban indigeneity is so fruitful to talk about and that's
something I've definitely worked through with previous art pieces”. Wide frame of Audie sitting in
a chair with her artwork. Wide frame of a neighbourhood. Wide frame of the neighbourhood street.
Close up of a student beadworking with Audie and other students out of frame in the background.
Close up of a beads on a string on top of a beadwork guide. “This piece I'm working on right now is
beaded wall hanging that is made with size 10 seed beads”. Wide frame of Audie at her desk with her
beads. Close up of Audie’s hand beadworking. “How I got the image that I'm working from is I took a
picture of the sky in the city from my backyard in Regina at the exact same time as my auntie took
a picture of the sky in Lebret, which is a smaller community that is outside of, like, city limits”.
Wide frame of Audie sitting in a chair with her artwork. Wide frame of neighbourhood. Wide frame
of tree tops and the sky. “This merging of two skies into one image
really highlights the fact that the sky is not different within those two spaces, and I think that
really speaks to the layers of urban indigeneity in a very subtle way”. Close up of Audie sitting
in a chair with her artwork. Wide frame of Audie and her cat at her desk with her beads. Close up
of hands working with beads. Close up of rocks, a shell and beadwork needles on a shelf. Close up
of Audie’s beadwork. “You can see my work right now in Radical Stitch which is a touring exhibition
about beadwork, curated by Cathy Mattes, Michelle Lavallee, and Sherry Farrell Racette”. Wide frame
of hands working with beads on a table. Close up Audie sitting on the floor. Wide frame of Audie
sitting in a chair with her artwork. (gentle music) Close up to Audie and students sitting on the
floor in a room, working with beads. Text appears across the screen with a link to Visit Regina.ca/artist For open Calls to Artist. *City of Regina outro sound*
The Regina logo appears in the middle of the screen. Public At & Collections Investing in Arts
& Culture Artist Calls
2021 Energy Inventory
View Regina's 2021 Energy inventory.
Design Regina B.10 Former Diocese of QuAppelle Neighbourhood Plan
View Design Regina Part B.10 - Former Diocese of QuAppelle Neighbourhood Plan
2020 Approved Budget Report
View the 2020 Approved General & Utility Operating and Capital Budget Report
